Curriculum Vitae

NANCY WILSON-PAJIC

SELECTED SOLO EXHIBITIONS

1967 Jericho, N.Y., Media Center

1971 Ludlow Street Studio, New York

1972 Ludlow Street Studio, New York

1973 A.I.R. Gallery, New York

Artists Space, New York

1974 112 Greene Street Gallery, New York

GalleriaForma, Genova

Galerie Germain, Paris

1975 A.I.R. Gallery, New York

1976 Franklin Furnace Archives, New York

M.L. D’Arc Gallery, New York

1977 Herbert List Arts Center, Providence

Galerie Germain , Paris

1983 Musée national d’Art moderne, Centre Pompidou, Paris

1985 Galerie Michèle Chomette, Paris

1986 Mala Galerija, Museum of Modern Art, Ljubljana

1987 FIAC, Grand Palais, Paris

1988 Galerie Michèle Chomette, Paris

1990 Musée Cantini, Marseille (Retrospective)

CIRCA, La Chartreuse de Villeneuve lez Avignon

1991 Musée national d’Art moderne, Centre Pompidou, Paris (Retrospective)

1992 Centre d’Art, La Sellerie & Musée d’ Art et de l’Archeologie, Aurillac (Retrospective)

1993 Centro Galego de Artes da Imaxe, Coruna

1994 Musée territorial de la Nouvelle Calédonie, Nouméa

1995 Art 26’95, Galerie Françoise Paviot , Basel

In Vitro, Paris

1996 Maison du Livre de l’Artiste contemporain, Domart-en-Ponthieu

Maison de l’Art et de la Communication, Sallaumines

1997 Galerie Françoise Paviot, Paris

1999 Lorient, Le Lieu

Hyères, Tour des Templiers - Villa Noailles

2000 Savigny-le-Temple, Ferme de Coulevrain

2002 Petaluma (San Francisco), Barry Singer Gallery

Paris, Galerie Françoise Paviot

2003 ArtChicago, Stephen Daiter Contemporary

Shine Gallery, London

Galerie Françoise Paviot, Paris

2008 Stephanie Hoppen Gallery, London

SELECTED GROUP EXHIBITIONS

1970 New York, Cooper Union, Annual

Philadelphia, Annenberg School of Communications, Artists’ Video

1971 New York, Avant Garde Festival

1972 New York, A.I.R., Inaugural Exhibition

New York, Women’s Interart Center, Opening Exhibition

1973 Rome, Parcheggio di Villa Borghese, Contemporanea : Incontri Internazionali d’Arte

Venice, California, CalArts, C 7.500, travelling exhibition organized by Lucy Lippard

1974 Paris, ARC, Musée d’Art moderne, Vidéo d’Artiste

1975 Paris, Musée d’Art moderne de la Ville de Paris, Biennale de Paris

Malmö, Kunsthalle, Ogon Blikar

1976 Innsbruch, Galerie Krinzinger, Women/Art/New Tendencies

Bordeaux, CAPC, Identité/Identifications

Bonn, Galerie Magers, Frauen Machen Kunst

1977 New York, Whitney Museum of American Art, Words : The Uses of Language in Art 1967-77

Ferrara, Italy, Ferrara Museum, Artists’ Books

Geneva, Galerie Gaëtan, Copier/Recopier

1981 Paris, Musée national d’Art moderne, Autoportraits photographiques

1984 Frankfurt, Galerie Forum, Formats

Paris, Musée national d’Art moderne, Photographie contemporaine en France

1986 London, National Portrait Gallery, Staging the Self

1987 Bonn, Frauen Museum, Collection of the Foundation Camille

1988 London, Barbican Gallery, Art or nature

Odense, Museet for Fotokunst, Aedeltryk

1989 Zurich, Galerie Zur Stockeregg, International Contemporary Women

Paris, Musée national d’Art moderne, L’Invention d’un Art

1990 Marseille, La Vieille Charité, Moi, mes trésors

1993 Washington, D.C., Museum of Women in the Arts, Collection of the Fond. Camille

Milan, Muséo d’Arte Contemporanea, Fotographie d’Artista

1994 London, Institut français, Portrait of my Mother

1995 Paris, Galerie Anne de Villepoix, Dîtes 33

1996 Paris, Institut français d’Architecture, Réperages (Presentation of commissioned works)

Santa Fe, New Mexico, Museum of Fine Arts, Sniper’s Nest: Art that has lived with Lucy Lippard

1997 Tokyo, Bunkamura, Collections of the French National Museum

New York, A.I.R. Gallery, Generations

1999 Mexico City, Espace d’Art Yvonamor Palix, La Mariée / La Novia

2001 Moscow, Museum of Photography, Petit Manège, Works from the French national collection.

2002 Seoul, Korea, Daelim Contemporary Art Museum, Les Métamorphoses du Modèle

2003 Moscow, Petit Manège Le Cirque

2004 Monte Carlo, Nouveau Musée national de Monaco, Acte Un pour un nouveau Musée

Magdeburg, Kunstmuseum Kloster Unser Lieben Frauen, Paris des Photographes

2005 Hong Kong, Musée d’art et d’histoire, Paris des photographes

2006 Bangkok, Thailand, Queen’s Gallery, Théâtre de la Mode

2007 Paris, Musée national d’art moderne, Centre Pompidou, Les Images en Mouvement

2008 New York, Werkstatte Gallery, AIR retrospective

Arles, Musée Réattu, Christian Lacroix: Invasion - Invision

Prague, Musée Kampa, Intim/Ita

2009 Paris, Musée national d’art moderne, Centre Pompidou, elles@centrepompidou

Bogota, Musée d’art moderne (MAMBO), Paysages de la conscience

2010 Seoul, Korea, City Museum, Man Ray & His Heritage

Nice, Théâtre de la Photographie, Le Photogramme

2011 Berlin, Kunstbibliothek, Staatliche Museen zu Berlin, Mode-Bild 1980 | 2010

Paris, Maison Europeéne de la Photographie, L’objet photographique, une invention permanente

2013 Lishui & Pekin, La France: Essaie de portrait

2016 Lausanne, Musée de l’Élysée, Mémoires du futur

SELECTED BIBLIOGRAPHY

Aline DALLIER, Le Féministe Art aux USA, Opus 50, May 1974.

Anna CANEPA, Nancy Kitchel, Flash Art, June 1974, p. 73.

Allan MOORE, Nancy Kitchel at 112 Greene Street, Artforum, Sept. 1974, p. 85.

Alan SONDHEIM, Nancy Kitchel: Notes On/By... Artrite, n° 6, May 1974, pp. 13-14.

Jeffrey DEITCH. Lives (New York, Fine Arts Building, 1975).

Catherine FRANCBLIN, Corps-objet, Femme-Objet, Art Press, Sept. 1975, pp. 14-15.

Claude BOUYEURE, Nancy Kitchel à la Galerie Germain, Opus 56, Juin 1975, p. 48.

Eje HÖGESTÄTT & Günter METKEN. Ögon Blikar: New Media I (Malmö Konsthalle,1975), pp.56-8.

Achille Bonito OLIVA.Europe/America: The Different Avant-Gardes (Milan, Deco, 1976), p.178.

Jacques CLAYSSEN. Identité/Identifications (Bordeaux, CAPC, 1976), pp. 43-46.

Margarethe JOCHIMSEN & Lucy LIPPARD. Frauen Machen Kunst (Bonn, Galerie Magers, 1976).

Romain VON LOTHAR, Die Emanzipation am Mann vorbei, Vorwartz, 16 December 1976.

Gislind NABAKOWSKI, Options, Heute Kunst, N° 17-18, February-April 1977.

Lucy LIPPARD. From the Center: Feminist Essays on Women’s Art (New York, Dutton, 1977), pp. 95, 105, 107, 130.

Werner LIPPERT, Alternativen aus New York, Heute Kunst, N° 17-18, Feb.-April 1977, p.6.

Barbara CAVALIERI, Nancy Kitchel, Arts Magazine, Jan. 1977.

Barbara BARRACKS, Nancy Kitchel at M.L. D’Arc Gallery, Artforum, Jan. 1977.

Günter METKEN. Spürensicherung (Köln, Dumont, 1977), pp. 39-46.

Alan SONDHEIM, ed. Individuals: Post-Movement Art in America (New York, Dutton, 1977), pp. 17-18, 19, 25-26, 137-156.

Margarethe JOCHIMSEN. Feministische Kunst, Kunstmagazin, N°2, 1977, pp. 75, 76, 80-81, 87.

Jean-Luc DUVAL, Skira Annual, (Geneva, Skira, 1977), pp. 79, 157.

Robyn BRENTANO with Mark SAVITT, eds. 112 Workshop/112 Greene Street: History Artists and Artworks (New York University Press, 1981), p. 38.

Dany BLOCH, L’Art Vidéo 1960/80-82 (Locarno, Flaviana, 1983), pp. 56, 75.

Aline DALLIER, Le rôle des femmes dans l’éclatement des avant-gardes et l’élargissement du champs de l’art, Opus 88, printemps 1983, pp. 27-28.

James LINGWOOD, ed. Staging the Self: Self-Portrait Photography 1840s-1980s (Plymouth Arts Center, 1986), pp. 73, 126.

Agnès de GOUVION SAINT-CYR, Jean-Claude LEMAGNY, Alain SAYAG. Art or Nature: 20th Century French Photography (London, Trefoil, 1988), pp. 113, 129, 174-75.

Alain SAYAG et Jean-Claude LEMAGNY. L’Invention d’un art (Paris, Biro/CGP, 1989), pp. 322-325.

Bernard MILLET, et al. D’un art, l’autre (Marseille, Images en Manoeuvres, 1990), pp. 92-115.

Carole CHICHET, Nancy Wilson-Pajic: Créer des espaces <entre>..., Art Press, N° 152, nov. 1990, pp. 43-45.

Alain SAYAG & Nancy WILSON-PAJIC. Nancy Wilson-Pajic (Paris, Éditions du Musée national d’Art moderne, 1991), 64 pages, 25 illustrations in Collotype, texts in English & French.

Cathy DAY. Nancy Wilson-Pajic: Chronology (Aurillac, La Sellerie, 1992), 82 pages, 37 illus., bilangue.

Michel GIROUD, Mises en Questions, Kanal Europe, N°4, automne 1992, p. 27.

Ida GIANELLI. Fotografie d’Artisti, Da Brancusi a Boltanski (Milan, Charta, 1993), pp. 21, 24, 50, 93 .

Larousse Dictionnaire mondial de la Photographie des Origins à nos Jours (Paris, Larousse,1994), pp. 668-669, 728 (illus.).

Nancy WILSON-PAJIC. Carnet de Route/Route Book (Domart-en-Ponthieu, Maison du LAC,1996), 54 pp., 152 illus., edition of 450 + 20 with an original print, bilingual.

CD ROM, La Collection du Centre Georges Pompidou (Paris, MNAM, Infogrames, 1997) 17 pp. 4 illustrations, ref. Photography, Installation, Performance.

Frances BORZELLO. Seeing Ourselves: Women’s Self-Portraits (London, Thames and Hudson, 1998), pp. 163, 211.

Wednesday 15 septembre 1999, France 2, Mid-day news. FIAC: an artist, a gallery, a collector.

Helena RECKITT & Peggy PHELAN. Art and Feminism (N.Y., Phaedon, 2001), p. 215.

Valérie DUPONCHELLE, “Zoom sur la photographie contemporaine”, Figaro Patrimoine, n° 73,21 juin 2002, cover, pp. 28-29.

ARTE, Tuesday, 30 September 2003, midnight: Die Nacht n° 20 .

Philippe PIGUET, Nancy Wilson-Pajic, au delà du réel..., L’Oeil, n° 562 , octobre 2004, p. 32.

BOUHOURS, ROSTICHER, WEISS. Principato di Monaco: Idea per un museo (Skira, 2005), pp. 214-6.

Louis MESPLÉ. L’Aventure de la photo contemporaine: de 1945 à nos jours (Editions du Chêne, 2006), pp. 126-127.

Quentin BAJAC et Clément CHEREAU. Une Histoire de la Photographie à travers les collections du Center Pompidou / Musée national d’art moderne (Editions du Centre Pompidou / Steidl 2007), p. 284.

Camille MORINEAU, et al. Elles@centrepompidou (Paris, Centre Georges Pompidou, 2009) p. 200.

Christian LACROIX, Michèle MOUTASHAR, Oliver SAILLARD. Musée Réattu-Christian Lacroix (Arles, Actes Sud, 2008), pp. 169-172.

Ministère de la Culture. 100 1%, for the celebration of 60 years of public commissions. Choice of the 100 best works from the 12 300 projects financed (Paris, Éditions du Patrimoine, 2012), pp. 148-149.

Cornelia Butler, et al. From Conceptualism to Feminism: Lucy Lippard’s Numbers Shows 1969-74 (London, Afterall Books, 2012), pp. 209-210, 234.

Gabriele Stohr et al. Feministche Avant-Garde (München, Prestel, 2015), pp. 31-32.

PUBLIC COMMISSIONS

1989 Commande d’État d’oeuvre significative. Commission of a significant work for the commemoration of the 150th anniversary of photography: quadriptych 380 X 560 cm in mixed photographic media on paper, mounted on canvas.

1991 Commission by the region Languedoc-Roussillon of a large-scale triptych from the Dreamworks series in mixed media on canvas to commemorate the Canal du Midi.

1992 Commission by the City of Aurillac of a work on Gerbert of Aurillac, Pope Sylvester II: quadriptych 160 X 240 cm in mixed media on polyester.

1995 Commission by the Institut français d’Architecture of four portfolios of photographs after buildings by French architects.

1996 Commission by the City of Calais of a large-scale work for the Musée de Dentelle (Lace Museum): Work of variable size composed of 30 photograms in cyanotype of items from their collection.

1999 Commission by the model city de Senart of an installation and a series of image-text works for putlic spaces, during a residency

2000 Commission by the Centre photographique d’Ile de France of a series of image-text works for public spaces throughout the town of Pontault-Combault.

2002 Multi-media 1% work commissioned by the town of Lomme for the Médiathèque: screen savers installed in the computers throughout the building, rights to a series of images for graphic communications, and images arranged in narrative sequences at strategic places in the building.

2004 Commissioned by the Nouveau Musée d’Art Moderne de Monaco to produce a series of photograms from their collection of theatre and dance costumes.

2006 Commission by the Ministry of Culture (Commande d’Etat) of a photo-text work on the architecture of August Perret at Le Havre.

PUBLIC COLLECTIONS (Selection)

Musée national d’art moderne, Paris

Fonds national d’Art contemporain, Paris

Bibliotheque nationale, Paris

Fonds régional d’art contemporain de Languedoc-Roussillon

Fonds régional d’art contemporain de Bretagne

Fonds régional d’art contemporain d’Ile-de-France

Fonds régional d’art contemporain de Provence-Alpes-Côte d’Azur

Fonds régional d’art contemporain de Haute Normandie

Moderna Galerija, Ljubljana, Yougoslavia